A comprehensive metering toolset for your whole system. Every scope, meter, and analyzer you need for mastering, calibration, and production, reading what's actually coming out with nothing to route or install.
360OSCOPE is a native macOS analyzer that reads your system output directly through a Core Audio process tap. It floats above your DAW, always on top, and draws a clean phosphor trace of whatever is playing.
Most meters make you route audio into them: a bus, a plugin on the master, a virtual device like BlackHole. 360OSCOPE skips all of that. It listens to the same signal your speakers get, so you can open it over any app and see what is coming out, instantly.
Other meters live on a track or a master bus, or need you to route audio into them. 360OSCOPE listens to everything your Mac plays. Meter a reference off a streaming app, a video, a game, or a few DAWs at once, in one window, with nothing patched.
The built-in tone generator and a bit-accurate hardware input let you measure outboard and tape, not just a mix. Send a signal out, read the return, and set levels against the real thing. Most meters stop at the mix.
Launch it and hit power. The scope comes up floating above whatever you are working in.
SYSTEM reads what your Mac is playing. LIVE INPUT reads a hardware input. GEN sends a test tone out.
Scope, Spectrum, Phase, Levels, or Harm. They all read the same source, so you can jump around freely.
Everything updates as it plays. Set trace color, persistence, and gain, and keep it on top while you work.
The waveform, drawn sample for sample. Free-running or triggered, with the time base in milliseconds across the window and amplitude marked in both linear and dB. Turn persistence up for a phosphor trail, gain up to zoom in on a quiet signal.
A real-time FFT on a log frequency axis, from DC at 0 Hz up through the top of the band. The peak frequency and its level are called out live. Good for spotting a resonance, a build-up, or where a mix runs out of top end.
A goniometer with correlation. Mono sits vertical, stereo opens out, a hard left or right pins to the diagonals. The correlation number runs from minus one to plus one, so you catch a phase problem before it collapses the mix in mono.
Every level that matters, on one screen. Peak and true peak, RMS, and loudness as momentary, short-term, and integrated LUFS. The loudness is real BS.1770 K-weighting from libebur128, not an approximation, so the integrated number is the one you deliver against.
Harmonic content and distortion. It locks to the fundamental, then reads harmonics two through nine in dB below it, with THD and THD plus noise as percentages. Send a tone through the generator and read exactly how much color a tape pass or a preamp is adding.
Play a mix and read integrated LUFS against your target. No export, no meter plugin on the master, no aggregate device.
Watch the goniometer on a stereo bus. A collapsing or smeared image shows up before it costs you the mix.
Send a tone out of GEN, read the return on LIVE INPUT. The input is bit-accurate, so you set levels against the real signal.
Run a tone through a chain and read THD and the harmonic spread, so you know what a preamp or tape pass is actually adding.
Play a reference track through your system and read its spectrum and loudness next to yours, without touching your routing.
DC offset, a dead channel, an L/R swap, a build-up in one band. One glance at the right view tells you.
SYSTEM taps your output. GEN plays a built-in tone. LIVE INPUT reads a hardware input, channels 1 and 2. CAPTURE grabs audio shared from an app.
Sine and other shapes, with presets at 100 Hz, 1k, 10k and 15k, plus a swept frequency and level. MONITOR sends it out to drive gear and read the return.
White, green, or amber phosphor, your call. Grid and trigger toggles. Gain and persistence on every view.
Always-on-top so it sits over a fullscreen DAW, plus a full-window mode when you want to read fine detail.
Captures the output your Mac is already playing through a Core Audio process tap. No BlackHole, no aggregate device to wire up, no routing to break.
BS.1770 K-weighting from libebur128, rate-adaptive. The LUFS numbers are the standard ones, not an approximation.
Detects the output's sample rate and matches it, from 44.1k up to 192k, so a 96k session is read at 96k with no resampling in the way.
Reads a chosen input straight off your interface, so what you send out is what you measure coming back. Built for calibrating tape and outboard.
A real macOS app, not a browser in a wrapper pretending to be one. It stays out of the way of the CPU your session needs.
Opens clean with no Gatekeeper warning. Apple-notarized Developer ID build.
Signed and notarized, so it opens clean. macOS 14.4 or newer, Apple Silicon. First time you use Live Input, macOS will ask for mic permission.